29th and 30th September 2024 in the Tanzhalle Wiesenburg, Yuki-Onna | The Snow Woman, a dance piece for all generations (4+), currently nominated for the Ikarus Prize 2024.
Pic: Dieter Hartwig, all rights reserved
Yuki Onna is a Japanese myth. It tells the story of a mysterious woman with long black hair who appears in the cold snow and invites all the children she encounters to play with the wind. The stage is transformed into a white snowy landscape, while image evoking excerpts from the fairy tale in English, German and Japanese merge with Aya Toraiwa’s movements to create a sensual and poetic dance experience.
Dates:
29.09.2024, 4pm (relaxed performance)
30.09.2024, 10am
Location: Tanzhalle Wiesenburg: Wiesenstraße 55, 13357 Berlin
Tickets online here: theater-on.de
Cast and Credits:
Concept, choreography: Isabelle Schad
Co-choreography, dance: Aya Toraiwa
Lighting design, technical direction: Madison Pomarico, Bruno Pocheron
Composition, sound: Damir Simunović
Voice work: Ignacio Jarquin
Production management: Heiko Schramm
Young audience advice: Dagmar Domrös
A production by Isabelle Schad. Co-production with Toihaus Theater Salzburg. In cooperation with Tanzhalle Wiesenburg and Theater o.N.
Funded by the Senate Department for Culture and Social Cohesion Berlin.
27.-30.06.2024 | Tanzhalle Wiesenburg / Werkhalle Wiesenburg present
Sommerfest.ival 2024
full details HERE
28.04.2024: Yuki Onna, Tanzhalle Wiesenburg
The fruitful collaboration with Theater o.N. and dancer Aya Toraiwa continues and the next premiere is approaching: on 28 April we present Yuki Onna, a Japanese fairy tale about a mysterious woman with long black hair who dives into the cold snow and invites all the children (and adults) to play with the wind. The first two performances take place at the Tanzhalle Wiesenburg, followed by three more dates at Theater o.N.
Pic: Isabelle Schad, all rights reserved
29.02. and 2.03.2024 7pm | The Thin Line / Nikolina Komljenović, Miodrag Gladović and Bojan Gagić
The Thin Line is being built around an innovative aerial prop called FISHING NYLON. It is a self-invention with which the body is kept in the air by its own efforts. Thin lines are incised into the body and encourage it to move. There is no place to rest in this process. There is only harsh reality, pain and desire for change.
The Thin Line is collaborative work. Artists work together, each bringing their own affinities and character to create a unique work. Space, body, light, sound and the thin lines of the installation intertwine the material of the performative act layer by layer. The reciprocity of the reactions of the artists and the spectators, where it is not known who initiates whom into the action, simultaneously builds the dramaturgy of the work through the self-reflection of the artist and technology.